Posts Tagged ‘Flash’

Love It or Livid – Justice League 3, Teen Titans 3, Batman 3

Good evening Gotham! It’s an in-between week for comics, so there are no new Batman books to talk about today. That gives me a chance to share some favourite (love it) and not-so-favourite (livid)  moments from recent issues. Here we go!

Justice League 3, by Geoff Johns, Jim Lee and Scott Williams, gave us this page scoring points for love it. I enjoy stories about people from other places coming to our world, and seeing Wonder Woman getting to know the better parts of America is so much fun. Somehow I always knew she’d go for ice cream.

I love Wonder Woman’s kick-ass attitude! There’s a great Batman moment a bit later on in the issue, as the Justice League fights demons that are attacking the planet.

Vampire Batman, telling Green Lantern how to use his ring? How could I not love it?

Next up is Teen Titans 3, by Scott Lobdell, Brett Booth and Norm Rapmund. @VenPixel pointed out a livid moment in the issue, when Kid Flash cracks a four-digit code to unlock a door. I’m not an expert, but I don’t think the switches on the control panel could keep up with his Flash-enhanced typing skills (see ‘switch debouncing‘)!

Silly speedster, keypads are for humans. Another thing in Teen Titans that makes me livid is this scene, in which Red Robin is disguised as an old man ‘riding the rails’ to accompany Skitter across the country. When he reveals his superhero identity to Bunker, there’s a moment when Tim’s face is entirely bare – anyone as paranoid as Tim wouldn’t allow that.

Why isn’t he wearing the domino mask under the old man face? Wow, that was a weird sentence. I liked the comic overall, but I feel like they’ve been too lax with Tim going around unmasked. If we accept the idea that a tiny little mask protects his identity, we have to also assume he’ll be extremely diligent about wearing it.

Last for tonight we have Batman 3, by Scott Snyder, Greg Capullo and Jonathan Glapion. I haven’t really been talking in detail about storylines, but I definitely love the current story in Batman. ‘The Court of Owls’, a group of men who have been “ruling Gotham from the shadows since colonial times” attempted to kill Bruce Wayne. Bruce turns to Alfred for help, and Alfred shares this story about Bruce’s great, great grandfather Alan Wayne, and his terrible fear of owls.

I love the idea that Alfred’s father was butler to the Wayne family before him! And how he tries to drug Bruce with “medicinal” tea, now that’s a butler! The art is also beautiful, on this page I especially like the top panel (we’re inside the Batman cowl, watching Bruce and Alfred) and the use of colour.

That’s it for me! It’s been fun taking a love it or livid look at comics – I might do it again! Let me know what you think of these or any other Batman comics in the comments, and have a great night.

 

Share

30

11 2011

Flashpoint 5

Writer: Geoff Johns

Artists: Andy Kubert, Sandra Hope, Jesse Delperdang

Date: Late October 2011

Rating: I LOVED Flashpoint 5. I thought the ending was excellent, and it was a great lead-in to The New 52 and the relaunched DC Universe.

Today I want to make a few Batman-related comments about Flashpoint 5; I’m not going to go through the whole book, which I hope you’ve read by now. Be warned, this will deal with the ending of the story, so if you haven’t read it there will be spoilers!

With Flashpoint, the problem inherent to the story (like most alternate universe stories) is that if Flash is successful in re-aligning the universe and bringing things back to “normal”, then all the events of the series are wiped away. If the war that destroyed Earth never happened, why should we care about it? As he lies dying, Flashpoint Batman (Thomas Wayne) sends Flash on his journey to end that world so a better one can replace it. I can’t tell you how much I loved Thomas Wayne in this moment! (remember, click to embiggen)

But at the same time he sends with Flash a letter for his son Bruce. This letter, and Flash’s memories of the life he never really lived, give the whole miniseries a purpose and an effect that lasts into the new 52. What changes in Batman will we see, if he’s a Batman who got some closure from his murdered father?

Bruce might be less tormented, more whole; will that change how he operates as Batman? I think not much, because this letter arrives several years after he’s taken on the cowl, and many years after his parents are killed – he’s already got years of loss and pain built up. But I hope that this message from his father changes how Bruce interacts with his own adopted sons, and that his relationship with his Robins is improved because of it.

One thing I really wonder is if the part we are shown is the whole letter. We see “Dear Son, There’s only one thing that I know about life. I know some things happen by chance.” This is beautiful, but it doesn’t feel like enough. Bruce reads the letter over four panels, and of course he could be re-reading it several times, but I think instead this suggests that the letter is longer. Also, when we see the signature at the end we see the bottom of the words preceding it, and those letters don’t match up with the words “by chance”. My theory is that the letter contained a few other things – first, that it wasn’t chance but choice, Thomas and Martha decided together to give up their lives for Bruce. Then something about being Batman, which now Bruce can share with his father, and then finally something about how his parents always loved him.

When Flash tells Bruce that he can still remember growing up with his mother (who died years ago in the “real” timeline), Bruce says “It could be a gift, Barry. A gift to make it all a little easier.” I feel like that’s what DC has given Bruce here, with the letter from his own father; some healing, even though it’s been such a long journey to get here, can go a long way.

Share

04

09 2011